It is by itself a blind aesthetic that has evolved and developed by isolation of a community or group.
Without the cradling hands of conservationist, traditional design is as good as dead.
After living past its era, and perhaps more accurately, surviving past its appreciators and admirers, it would be nothing more than a distant relic of yesteryears and naturally terminated from contemporary social consciousness.
What is current will be old. What is now modern will be post.
Time is the most progressive thing, ever.
As cliche as, The only constant is change.
The traditional image, Any, is by eksistent , a product of vernacular design.
In a post-apocalyptic delirium, vernacular ad-hoc design would be first to raise from the ruins.
The most human, organic gesture in design.
Vernacular stems from true design by situation, place and time. All elements permanently linked and eksis a whole.
The whole setting eksisting as an open question.
The answer of which would be derived; from all that is local, geographical factors, available technology, problem solving and eksisting pressing needs.
Vernacular has nothing to do with spatial arrangements, volume, and form.
But influences and gives birth to all of it, at once.
Vernacular is most noble, true and honest, always progressive and minimalistic.
Traditional is style. Vernacular is a methodical design approach.
An anti-thesis of traditional. True form. Revivalists are crap.
